Now

Right now I’m focucusing on a section of my doctoral research project in Art History at the University of Barcelona. For just over a year I have been collecting and researching inputs, materials, interviews, documents and reviewing choreographic scores in the living arts in Venezuela, but which have ended up finding spaces of resonance and connections in other geographical latitudes, in other bodies.

The project tries to open a sensitive dialogue between the materiality and the immateriality of dance. In short: among the materials and their documentary remains: objects, drawings, unfinished sketches of phrases or incomplete choreographies, minor files, precarious recordings; and its intangible universe: "scores", choreographies, movements, artistic practices, encounters, poetics, relationships, exchanges, oral narratives and experiences around the body in the arts of action.

The idea of ​​this choreographic project is to open spaces of the body, and activate areas of communication between material and immaterial practices in dance, as a device to find aesthetics, political dynamics, cosmogonies, multiverses in dance, forms of censorship or rebellion, among others. other influences and repercussions that go through the body, not only of the dancer, perhaps of many other bodies that do not inhabit the stage; find clues or keys that can account for communication phenomena that go through people: that is, that appear in the dance but have their correlate outside the stage space.